Twickfolk Quality Street - Miranda Sykes & Rex Preston

Apologies now for this sweet laden blog post, it must be the first wiff of Christmas that has addled my brain.

Twickfolk was awash with colour and flavour last night (9/12/2012) as an assortment of performers took to the stage. As you know I've found myself at Twickfolk via years sketching on the jazz circuit, so I felt very much at home upon seeing the double-bass propped up in the corner as I arrived, but before the main act of Miranda Sykes (left) and Rex Preston we we're treated to 3 floor spots.

Firstly Sue Graves was like an Orange Creme with her silky voice and sunny disposition. Second up was the Toffee Deluxe of Doug Brown who gave us plenty to chew on with his accordion playing and weighty lyrics. The third and final floor spot belonged to the red haired Daria Kulesh who like a Strawberry Delight presented us with a refreshing and vibrant explosion. Unfortunately we heard just one of her own tunes, 'I Want Attention!' and like most sweet things I was left wanting more!

Then we we're treated to the Quality (Street) of the evening. Miranda Sykes (Bass/Guitar) and Rex Preston (Madolin/Bouzouki) had such a varied repertoire I didn't know what to expect next. The songs were all well crafted and the skill and depth was appreciated by the packed house. Just like a Milk Chocolate Hazelnut, Miranda Sykes gave us a smooth flow with her bowing followed by chunky substance with pulse driven bass lines. Rex on the other hand was a Caramel Swirl of excitement playing with such speed and verve. The two tunes that made an impression upon me were 'Only One Way' and 'Turn to me'.

It was a great night.

AL

Rex Preston (below), Daria Kulesh (right)

Fil Campbell, Rowena Gee & Sue Graves - Twickfolk Songbirds

As you know my path to Twickfolk has come through the wilds of jazz and I'm slowly learning my folk knowledge 'on the job'. None have taught me more than Twickfolk's headliner last night Fil Campbell who took me on a tour of Ireland's folk heritage.
Her husband Tom Mcfarland drove my drawings forward, giving them rythmn and exuberance through his percussion. He charmed us with Twickfolk favourite David Francey's "Come rain or come shine".
Fils own tune 'Dreaming' was a highlight for me. Sung with passion, encompassing complex imagery and an intoxicating swig of surrealism.
Delia Murphy, Margaret Barry, Mary O'Hara and Ruby Murray inspired many of last nights narratives. Fil Campbell included all these singers in her TV series 'Songbirds.

Two more songbirds got the the evening started for us. Sue Graves (left) once again put us under her spell and Rowena Gee (right) demonstrated her versatility with two songs "Show me the river" and "Sailor girl".

The Sun always shines of Twickfolk

Apologies for being off the blog for a few days. I've had a rush of work including an excellent CD launch at Pizza Express of Burton Bradstock's latest folk-jazz project. I was in the illuminating presence of Rich Rainlore and he'll be writing about the gig on Rainlore's World Of Music in the next few days.

During these damp autumn nights what we need are those bright moments and none could be more cheering than Suntrap. They we're great to draw with 4 distinct characters (the mesmeric Sara Byers unbelievably described herself as unphotogenic) and featuring my favourite instruments to draw, the fiddle, from John Sandall and Mary Wilson. Paul Hoad's dry humour and the modern themes wrapped in well crafted tunes made it a great night.

After several weekends filling walls and my time on various building projects I didnt last the course with the Twickfolk performers last Sunday. I was there long enough though to experience Jacquelyn Hynes' beautiful flute, entwined by J Eoin's narratives.

I'd like to note some of the floor spots or support musicians for these two gigs. Twickfolk favourites Sue Graves and Paul Micklethwaite. With a leftfield appearance from fiddler Matt Grabham who Gerry had discovered busking the previous day and invited along.